Number |
Cover |
TextBook for Sound Engineering |
Author |
Edition |
0 |
|
Audio Mastering: Separating the Science from Fiction [1 ed.] |
JP Braddock |
1 |
1 |
|
Virtual Auditory Space: Generation and Applications |
Simon Carlile |
|
2 |
|
About Music Industry for Beginners: For Budding Sound Engineers (Audiophiles), Music Performers, Music Educators, Musical Content Creators, Music Business Startups, Film & Music Lovers |
Girish Patro |
|
3 |
|
Hearing: An introduction to psychological and physiological acoustics [5 ed.] |
Gelfand Stanley |
5 |
4 |
|
Audio anecdotes : tools, tips, and techniques for digital audio Vol. 2 [Har/Cdr ed.] |
Barzel, Ronen, Greenebaum, Ken |
|
5 |
|
Audio Anecdotes: Tools, Tips, and Techniques for Digital Audio v. 1 |
Barzel, Ronen, Greenebaum, Ken |
|
6 |
|
Acoustic Design [illustrated edition] |
Duncan Templeton and David Saunders (Auth.) |
|
7 |
|
The Recording Engineer's Handbook [3 ed.] |
Bobby Owsinski |
3 |
8 |
|
The Mixing Engineer's Handbook [3 ed.] |
Bobby Owsinski |
3 |
9 |
|
Going Pro with Cubase 6 [1 ed.] |
Steve (Steve Pacey) Pacey |
1 |
10 |
|
Audio in Media [9 ed.] |
Stanley R. Alten |
9 |
11 |
|
The Recording Engineer's Handbook [2nd ed] |
Bobby Owsinski |
2 |
12 |
|
Designing Sound |
Andy Farnell |
|
13 |
|
Speech Dereverberation [1 ed.] |
Patrick A. Naylor, Nikolay D. Gaubitch (auth.), Patrick A. Naylor, Nikolay D. Gaubitch (eds.) |
1 |
14 |
|
Audio source separation and speech enhancement |
Gannot, Sharon, Vincent, Emmanuel, Virtanen, Tuomas |
|
15 |
|
High performance loudspeakers: optimising high fidelity loudspeaker systems [Seventh edition] |
Colloms, Martin, Darlington, Paul |
|
16 |
|
Parametric time-frequency domain spatial audio [First edition] |
Delikaris-Manias, Symeon, Politis, Archontis, Pulkki, Ville |
|
17 |
|
Applications of Digital Signal Processing to Audio and Acoustics [1 ed.] |
John G. Beerends (auth.), Mark Kahrs, Karlheinz Brandenburg (eds.) |
1 |
18 |
|
Audio Coding: Theory and Applications [1 ed.] |
Yuli You (auth.) |
1 |
19 |
|
Electroacoustical Reference Data [1 ed.] |
John M. Eargle (auth.) |
1 |
20 |
|
Loudspeaker Handbook |
John M. Eargle (auth.) |
|
21 |
|
Loudspeaker Handbook [2 ed.] |
John Eargle (auth.) |
2 |
22 |
|
Music, Sound, and Technology [2 ed.] |
John M. Eargle (auth.) |
2 |
23 |
|
Audio Signal Processing for Next-Generation Multimedia Communication Systems |
Yiteng Arden Huang, Jacob Benesty |
|
24 |
|
Vacuum Tube Amplifiers |
George E. Valley, Jr., Henry Wallman |
|
25 |
|
Valve Amplifiers [3rd ed] |
Morgan Jones |
3 |
26 |
|
Building valve amplifiers [2nd Edition] |
Elsevier.,Jones, Morgan |
2 |
27 |
|
Designing with Speech Processing Chips. |
Jimenez, Ricardo |
|
28 |
|
Eargle's the Microphone Book : From Mono to Stereo to Surround - A Guide to Microphone Design and Application , Third Edition [3 ed.] |
Ray Rayburn |
3 |
29 |
|
From demo to delivery: the process of production |
Russ Hepworth-Sawyer |
|
30 |
|
Handbook for sound engineers [4. ed] |
Glen M Ballou |
4 |
31 |
|
Mixing a Musical: Broadway Theatrical Sound Mixing Techniques |
Shannon Slaton |
|
32 |
|
Mastering audio : the art and the science [1 ed.] |
Robert A Katz |
1 |
33 |
|
The Remix Manual [1 ed.] |
Simon Langford |
1 |
34 |
|
Valve Amplifiers [4th edition] |
Jones, Morgan |
4 |
35 |
|
Broadcast Sound Technology |
Michael Talbot-Smith (Auth.) |
|
36 |
|
Newnes Audio and Hi-Fi Engineer's Pocket Book [2nd ed.] |
Vivian Capel (Auth.) |
2 |
37 |
|
Digital audio editing correcting and enhancing audio in Pro Tools, Logic Pro, Cubase, and Studio One |
Langford, Simon |
|
38 |
|
Digital audio restoration [1 ed.] |
Simon J. Godsill, Peter J.W. Rayner |
1 |
39 |
|
Production Sound Mixing: The Art and Craft of Sound Recording for the Moving Image |
John J. Murphy |
|
40 |
|
The Art of Linear Electronix |
John Linsley Hood |
|
41 |
|
Audio power amplifier design handbook [4 ed.] |
Douglas Self |
4 |
42 |
|
Digital Audio and Compact Disc Technology [2 Sub ed.] |
LuC. Baert, LuC. Theunissen and Guido Vergult (Eds.) |
2 |
43 |
|
Audio Engineering: Know It All [Volume 1] |
Douglas Self, Ben Duncan, Ian Sinclair, Richard Brice, John Linsley Hood, Andrew Singmin Education: Master's Degree Semiconductor Physics from Brunel University inLondon, Ph.D. Solid State Physics from the University of London., Don Davis, Eugene Patronis, John Watkinson |
1 |
44 |
|
Newnes Audio and Hi-Fi Engineer's Pocket Book [3 ed.] |
Vivian Capel (Auth.) |
3 |
45 |
|
Self on Audio, Second Edition [2 ed.] |
Douglas Self |
2 |
46 |
|
Audio IC Projects. A Collection of Useful Circuits Based on Readily Available Chips |
Keith Brindley (Eds.) |
|
47 |
|
Sound Reinforcement for Audio Engineers |
Wolfgang Ahnert, Dirk Noy |
|
48 |
|
Home Studio Setup: Everything You Need to Know from Equipment to Acoustics |
Ben Harris |
|
49 |
|
Unraveling Bluetooth LE Audio: Stretching the Limits of Interoperable Wireless Audio with Bluetooth Next-Generation Low Energy Audio Standards [1 ed.] |
Himanshu Bhalla, Oren Haggai |
1 |
50 |
|
Loudspeaker and Headphone Handbook [3rd edition] |
Borwick, John |
3 |
51 |
|
Mastering Audio: The Art and the Science [3 ed.] |
Robert A. Katz |
3 |
52 |
|
Distortion in Music Production: The Soul of Sonics |
Gary Bromham, Austin Moore |
|
53 |
|
Audio Sampling: A Practical Guide |
Sam McGuire, Roy Pritts |
|
54 |
|
The Art of Recording: Understanding and Crafting the Mix [1 ed.] |
William Moylan |
1 |
55 |
|
Sound and Recording [6 ed.] |
Francis Rumsey, TIM MCCORMICK |
6 |
56 |
|
The Microphone Book, Second Edition: From mono to stereo to surround - a guide to microphone design and application [2 ed.] |
John Eargle |
2 |
57 |
|
The Design of Active Crossovers [1 ed.] |
Douglas Self |
1 |
58 |
|
Audio Production Worktext: Concepts, Techniques, and Equipment [6 ed.] |
David Reese, Lynne Gross, Brian Gross |
6 |
59 |
|
Mixing Audio: Concepts, Practices and Tools |
Roey Izhaki |
|
60 |
|
Recording Tips for Engineers, Third Edition: For cleaner, brighter tracks (Mastering Music) [3 ed.] |
Tim Crich |
3 |
61 |
|
Women in Audio [1° ed.] |
Leslie Gaston-Bird |
1 |
62 |
|
A Practical Guide to Television Sound Engineering [1 ed.] |
Dennis Baxter |
1 |
63 |
|
A Broadcast Engineering Tutorial for Non-Engineers, Third Edition [3 ed.] |
Graham A. Jones |
3 |
64 |
|
Recording Music on Location: Capturing the Live Performance [2 ed.] |
Bruce Bartlett, Jenny Bartlett |
2 |
65 |
|
Handbook for Sound Engineers [5 ed.] |
Glen Ballou |
5 |
66 |
|
Audio Engineering 101 A Beginner's Guide to Music Production |
Tim Dittmar |
|
67 |
|
Pro Tools 8: Music Production, Recording, Editing and Mixing |
Mike Collins |
|
68 |
|
Using Audition (DV Expert Series) (DV Expert Series) |
Ron Dabbs |
|
69 |
|
Mic It! : Microphones, Microphone Techniques, and Their Impact on the Final Mix |
Ian Corbett and Doug Scarrett |
|
70 |
|
Recording Tips for Engineers: For cleaner, brighter tracks [3 ed.] |
Tim Crich |
3 |
71 |
|
Practical Mastering: A Guide to Mastering in the Modern Studio |
Mark Cousins, Russ Hepworth-Sawyer |
|
72 |
|
Audio Metering: Measurements, Standards and Practice [1 ed.] |
Eddy Brixen |
1 |
73 |
|
Handbook for Sound Engineers: The New Audio Cyclopedia |
Glen Ballou |
|
74 |
|
Sound Systems: Design and Optimization: Modern Techniques and Tools for Sound System Design and Alignment |
Bob McCarthy |
|
75 |
|
Designing sound for animation [2nd ed.] |
Beauchamp, Robin |
2 |
76 |
|
Audio Metering: Measurements, Standards and Practice [3 ed.] |
Eddy B. Brixen |
3 |
77 |
|
Mixing Secrets for the small studio [1 ed.] |
Mike Senior |
1 |
78 |
|
Music Technology Essentials: A Home Studio Guide |
Andrew Maz |
|
79 |
|
Modern Recording Techniques: A Practical Guide to Modern Music Production (Audio Engineering Society Presents) [10 ed.] |
David Miles Huber, Emiliano Caballero, Robert Runstein |
10 |
80 |
|
Modern Recording Techniques: A Practical Guide to Modern Music Production [10 ed.] |
David Miles Huber, Emiliano Caballero, Robert Runstein |
10 |
81 |
|
Mix Smart: Pro Audio Tips For Your Multitrack Mix [1st ed.] |
Alex Case |
1 |
82 |
|
Sound Person's Guide to Video |
David Mellor |
|
83 |
|
Recording Studio Design [2 ed.] |
Philip Newell |
2 |
84 |
|
Pro Tools 9: The Mixer's Toolkit [Pap/Psc ed.] |
Nathan Adam, Kevin Ward |
|
85 |
|
Small Signal Audio Design |
Douglas Self |
|
86 |
|
Digital Audio Technology: A Guide to CD, MiniDisc, SACD, DVD [4 ed.] |
Jan Maes, Marc Vercammen |
4 |
87 |
|
Logic Pro 8: Audio and Music Production [Pap/Cdr ed.] |
Mark Cousins, Russ Hepworth-Sawyer |
|
88 |
|
The sound studio: audio techniques for radio, television, film and recording [7 ed.] |
Alec Nisbett |
7 |
89 |
|
Practical Recording Techniques [5th ed.] |
Bruce Bartlett, Jenny Bartlett |
5 |
90 |
|
Mixing Audio: Concepts, Practices and Tools, Second edition [Second edition] |
Roey Izhaki |
|
91 |
|
Recording Studio Design, Third Edition [3 ed.] |
Philip Newell |
3 |
92 |
|
Recording Classical Music |
Robert Toft |
|
93 |
|
Music Production: Recording: A Guide for Producers, Engineers and Musicians |
Carlos Lellis Ferreira |
|
94 |
|
Digital Interface Handbook [3 ed.] |
John Watkinson, Francis Rumsey |
3 |
95 |
|
Mastering Audio: The Art and the Science [2 ed.] |
Bob Katz |
2 |
96 |
|
A Sound Engineers Guide to Audio Test and Measurement |
Glen Ballou |
|
97 |
|
The Art of Digital Audio |
John Watkinson |
|
98 |
|
Audio Production and Critical Listening: Technical Ear Training [1 ed.] |
Jason Corey |
1 |
99 |
|
Audio Engineering Explained |
Douglas Self, |
|
100 |
|
Small Signal Audio Design [3 ed.] |
Douglas Self |
3 |
101 |
|
Sound and Image: Aesthetics and Practices (Sound Design) [1 ed.] |
Andrew Knight-Hill (editor) |
1 |
102 |
|
Recording Studio Design, First Edition [1 ed.] |
Philip Newell |
1 |
103 |
|
Major Label Mastering: Professional Mastering Process |
Evren Göknar |
|
104 |
|
Secrets of Recording: Professional Tips, Tools & Techniques |
Lorne Bregitzer |
|
105 |
|
Electroacoustic Devices: Microphones and Loudspeakers |
Glen Ballou |
|
106 |
|
An Introduction to Digital Audio |
John Watkinson |
|
107 |
|
Mixing Audio 2e [2 ed.] |
Roey Izhaki |
2 |
108 |
|
Unity Game Audio Implementation: A Practical Guide for Beginners |
Andrew Coggan |
|
109 |
|
Focal Easy Guide to Cakewalk Sonar: For new users and professionals |
Trev Wilkins |
|
110 |
|
Sound for Film and Television, Second Edition |
Tomlinson Holman |
|
111 |
|
Understanding and Crafting the Mix, Second Edition: The Art of Recording [2 ed.] |
William Moylan |
2 |
112 |
|
The Art of Sound Reproduction |
John Watkinson |
|
113 |
|
Modern Recording Techniques [8 ed.] |
David Miles Huber, Robert E. Runstein |
8 |
114 |
|
Sound Engineering Explained, Second Edition [2 ed.] |
Michael Talbot-Smith |
2 |
115 |
|
Sound Engineer's Pocket Book [2 ed.] |
Michael Talbot-Smith |
2 |
116 |
|
The Art of Digital Audio [3 ed.] |
John Watkinson |
3 |
117 |
|
Living the Audio Life: A Guide to a Career in Live Entertainment Sound |
Brad Schiller |
|
118 |
|
A professional guide to audio plug-ins and virtual instruments [1 ed.] |
Mike Collins |
1 |
119 |
|
Recording Secrets for the Small Studio [1st ed.] |
Mike Senior |
1 |
120 |
|
Pro Tools for Music Production, Second Edition: Recording, Editing and Mixing [2 ed.] |
Mike Collins |
2 |
121 |
|
Audio Over IP: Building Pro AoIP Systems with Livewire [1 ed.] |
Steve Church, Skip Pizzi |
1 |
122 |
|
Modern Recording Techniques, Seventh Edition [7 ed.] |
David Miles Huber, Robert E. Runstein |
7 |
123 |
|
Immersive Sound Production: A Practical Guide |
Dennis Baxter |
|
124 |
|
Spatial audio [1 ed.] |
Francis Rumsey |
1 |
125 |
|
The Audio Expert: Everything You Need to Know About Audio [1 ed.] |
Ethan Winer |
1 |
126 |
|
Classical Recording |
Caroline Haigh, John Dunkerley, Mark Rogers |
|
127 |
|
Sound FX: Unlocking the Creative Potential of Recording Studio Effects [1 ed.] |
Alex Case |
1 |
128 |
|
Sound Pressure: How Speaker Systems Influence, Manipulate and Torture |
Toby Heys |
|
129 |
|
The Logic of Filtering: How Noise Shapes the Sound of Recorded Music |
Melle Jan Kromhout |
|
130 |
|
Audio Production Principles: Practical Studio Applications [1 ed.] |
Stephane Elmosnino |
1 |
131 |
|
The Compact Disc Handbook |
Ken C. Pohlmann |
|
132 |
|
Sound Recording Practice [4 ed.] |
John Borwick (editor) |
4 |
133 |
|
The Oxford Handbook of Interactive Audio |
Karen Collins, Bill Kapralos, Holly Tessler (eds.) |
|
134 |
|
The secrets of the mastering engineer [1 ed.] |
T.C Elec. |
1 |
135 |
|
Audio Signal Processing and Coding |
Andreas Spanias, Ted Painter, Venkatraman Atti |
|
136 |
|
Designing for Product Sound Quality (Mechanical Engineering (Marcell Dekker)) [1 ed.] |
Richard Lyon |
1 |
137 |
|
Filter Banks and Audio Coding: Compressing Audio Signals Using Python [1 ed.] |
Gerald Schuller |
1 |
138 |
|
Filter Banks and Audio Coding: Compressing Audio Signals Using Python [1st ed.] |
Gerald Schuller |
1 |
139 |
|
Audio Anecdotes III: Tools, Tips, and Techniques for Digital Audio [1 ed.] |
Ken Greenebaum (Editor), Ronen Barzel (Editor) |
1 |
140 |
|
Build Your Own PC Recording Studio [1 ed.] |
John Chappell |
1 |
141 |
|
The master handbook of acoustics |
Alton F. Everest |
|
142 |
|
The master handbook of acoustics [4 ed.] |
F. Alton Everest |
4 |
143 |
|
The master handbook of acoustics [4th ed] |
Alton F. Everest |
4 |
144 |
|
Handbook of Sound Studio Construction: Rooms for Recording and Listening [1 ed.] |
F. Alton Everest, Ken C. Pohlmann |
1 |
145 |
|
Studio Recording Procedures [1 ed.] |
Michael Shea |
1 |
146 |
|
studio recording procedures how to record any instrument |
mike shea |
|
147 |
|
The Tab Guide to Vacuum Tube Audio: Understanding and Buildithe Tab Guide to Vacuum Tube Audio: Understanding and Building Tube Amps Ng Tube Amps |
Jerry C. Whitaker |
|
148 |
|
How to Build a Small Budget Recording Studio from Scratch [4 ed.] |
Mike Shea |
4 |
149 |
|
How to Build a Small Budget Recording Studio from Scratch 4/E |
Mike Shea &, F. Alton Everest |
|
150 |
|
How to Build a Small Budget Recording Studio from Scratch 4/E [4 ed.] |
Mike Shea |
4 |
151 |
|
How to build a small budget recording studio from scratch--with 12 tested designs [3rd ed] |
Everest, Frederick Alton, Shea, Mike |
3 |
152 |
|
Master handbook of acoustics [Sixth edition.] |
Everest, Frederick Alton, Pohlmann, Ken C. |
|
153 |
|
Designing Audio Power Amplifiers [1 ed.] |
Bob Cordell |
1 |
154 |
|
Designing audio power amplifiers |
Bob Cordell |
|
155 |
|
Principles of Digital Audio |
Ken Pohlmann |
|
156 |
|
Principles of Digital Audio [6th edition] |
Pohlmann, Ken C |
6 |
157 |
|
Sound Capture for Human Machine Interfaces: Practical Aspects of Microphone Array Signal Processing [1 ed.] |
Wolfgang Herbordt |
1 |
158 |
|
Sonic Interactions in Virtual Environments |
Michele Geronazzo, Stefania Serafin |
|
159 |
|
The jbl story - 60 years of audio innovation |
Eargle, John M |
|
160 |
|
Sound Engineer |
Patricia Hynes |
|
161 |
|
ABBEY ROAD EMI TG CIRCUIT SCHEMATICS |
ABBEY ROAD STUDIOS , EMI |
|
162 |
|
Audio Engineering: Know It All [1 ed.] |
Douglas Self, Ben Duncan, Ian Sinclair, Richard Brice, John Linsley Hood, Andrew Singmin Education: Master's Degree Semiconductor Physics from Brunel University inLondon, Ph.D. Solid State Physics from the University of London., Don Davis, Eugene Patronis, John Watkinson |
1 |
163 |
|
Principles of Digital Audio [4ed] |
Pohlmann K.C. |
4 |